Automation
Digital Media Installation
Shown in Orders of Things, Homesession, Barcelona, Spain
15-16 November 2013
More Information Here:
http://www.homesession.org/03_news/2013-11-13/elydaoumiguelinumerable.html
http://www.homesession.org/wordpress/past-invited-projects/ely-daou-miguel-inumerable/
Shown in Orders of Things, Homesession, Barcelona, Spain
15-16 November 2013
More Information Here:
http://www.homesession.org/03_news/2013-11-13/elydaoumiguelinumerable.html
http://www.homesession.org/wordpress/past-invited-projects/ely-daou-miguel-inumerable/
Excerpt from the Show Description, written by Jerome Lefaure:
"Normativity is a raw material of the work of Miguel Lope Inumerable, which is based mainly on drawing and expanded drawing. The installation Automation displays two screens, that show us the code and the result of a random drawing program based on adjacent bars. The simple parameter program and the set of bars that darkens the screen with patience and persistence to obtain a perfect black background refers mainly to basic art education and especially to the way its rejects emptiness or the fact that a surface could remain undrawn. That is to say: “you have to paint everything! “ Comissionning the machine to fulfill this mandate, Miguel Lope Inumerable questions the set of guidelines that structures arts education and its scale of valuation.
The drawings hanging on the wall correspond to intermediate stages of the drawing program progress. They underline the value of the deviation or subversion of the works instructions to propose new models: what is at stake here is both the only partial fulfillment of an instruction and the result of that, which is deeper than expected. In any case, this work opens a helpful crisis versus the belief in an established order and it does so with a subtle irony that significantly enhances its critical potential."
"Normativity is a raw material of the work of Miguel Lope Inumerable, which is based mainly on drawing and expanded drawing. The installation Automation displays two screens, that show us the code and the result of a random drawing program based on adjacent bars. The simple parameter program and the set of bars that darkens the screen with patience and persistence to obtain a perfect black background refers mainly to basic art education and especially to the way its rejects emptiness or the fact that a surface could remain undrawn. That is to say: “you have to paint everything! “ Comissionning the machine to fulfill this mandate, Miguel Lope Inumerable questions the set of guidelines that structures arts education and its scale of valuation.
The drawings hanging on the wall correspond to intermediate stages of the drawing program progress. They underline the value of the deviation or subversion of the works instructions to propose new models: what is at stake here is both the only partial fulfillment of an instruction and the result of that, which is deeper than expected. In any case, this work opens a helpful crisis versus the belief in an established order and it does so with a subtle irony that significantly enhances its critical potential."